Portable Gray
I have a new article published in the Gray Center for Arts and Inquiry at the University of Chicago’s Portable Gray journal, Volume 2, Number 1, Spring 2019 issue.
The polemical article, An Undefined Sound, is a conversation between Philip von Zweck and myself about what, if anything, ‘Sound Art’ is, and why it needs a proper definition if it is to become more than a mere curiosity within academia.
FULL CONTENTS:
Editor's Plaisance, by Zachary Cahill
LEGACY SET FREE: Emancipating the works of Oscar Brown Jr., by Maggie and Africa Brown
Reflections on Ghost Village: A conversation with Judith Zeitlin, Majel Connery, and Yao Chen
Pennies from Nether: A Chorus, by Jennifer Scappettone
What Makes a Song "Songy": Glenn Kotche and Steven Rings in conversation with Ted Gordon
Oracular Painting: Kim Gordon in conversation with Stephanie Cristello
Hit It or Quit It: Rock 'n Roll, a Critical Approach, Jessica Hopper in conversation with Mike Schuh
now is simply the mess. Formalism, Modernism, Again, by Seth Brodsky
Listening Without Response-ability, by Naomi Waltham-Smith
Tracing the Sonic Image: Lawrence Abu Hamdan, Hannah B. Higgins, and W.J.T. Mitchell, by Zachary Cahill
An Undefined Sound: A conversation between John Kannenberg and Philip von Zweck
Music is the Production of an Ear Which Listens to Us: Mladen Dolar in conversation with Seth Brodsky
Soul Rotations: Healing Music with Shannon Harris, by Ytasha Womack
Musical Griot: Barbara McCullough on Horace Tapscott, by Robyn Farrell
Moscow Dairies, by Robert Bird and Cauleen Smith
On the Cover: Kim Gordon, Noise Nomads, 2009 © Kim Gordon, Courtesy of 303 Gallery, New York
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